The drug use, nudity, sexual material and highly offensive language mean the film needs a restriction to people 16 years of age and over. The film is intended for older teenagers and adults who will appreciate its artistic merit while having knowledge of the physical, social and legal consequences of long term drug use. The style of filming serves to separate the clearly well-to-do characters from the real world which reduces the impact to some extent. It is likely that impressionable younger viewers will see drug use as acceptable and fun and be encouraged to emulate it without a view to its consequences. The film requires restriction due to the way it normalises and promotes drug use. into his hometown of Fort Lauderdale, Florida, late Thursday night. There is some sexual content, nudity and highly offensive language but the strongest element is the drug use. It was a bit of culture shock because we saw so many Confederate flags posted in. Eventually Krzysztof tires of partying and ‘finds himself’. Events occur over the course of one year and take place mainly at night. Much of the film consists of short scenes of the young men socialising at parties and engaging in philosophical conversations. The film follows apparently wealthy and privileged Krzysztof and his friend Michal as they restlessly roam the streets and parties of Warsaw in their quest to live in the moment. ‘All These Sleepless Nights’ has been called genre-pushing and hybrid because of the rehearsed elements involved. Blending actors into his works allows him to push his subjects through new experiences to capture something intangible about the human condition. She feels very lucky to be in this work.‘All These Sleepless Nights’ is a documentary from Poland by director Michal Marczak who is known for his innovative approach. She leads on training in our Impact Labs and developing resources for the field including the Impact Field Guide. Supporting practitioner led networks like the Global Impact Producer group, programmes like Good Pitch and Doc Society’s new Climate Unit focused on supporting transformative storytelling to advance a climate just and biodiverse future. Imagining new models that will strengthen and resource independent filmmaking.Īt Doc Society, Beadie works across many of our global initiatives. In addition to grant making for artists and journalists and supporting their creative process, we help them develop impact strategies and connect them with allies in civil society. Having worked in documentary over 25 years, Beadie is in heaven in her role at Doc Society. For 17 years we have been fiercely championing and working to resource and protect the community of global, independent filmmakers. Vinay’s highly-anticipated second feature film, ‘While We Watched’ - a non-fiction newsroom drama - is premiering at the 2022 Toronto International Film Festival.īeadie Finzi is one of the founding directors of Doc Society, a non profit film foundation with team based in Europe, East Africa, the Americas and Australia. Vinay has also produced the globally renowned political strategy board games ‘SHASN’, and its sequel, ‘SHASN: AZADI’. His work has been previously celebrated at Warsaw Film Festival, Busan International Film Festival, BFI London, Sheffield Doc/Fest, among other leading festivals in the world. His work has attracted distinguished partnerships with Sundance, DocSociety, NFDC India, Asian Network of Documentaries, IDFA, and IDFA Bertha. His short film ‘Bureaucracy Sonata’ (2011), won the HBO Best Short Film Award at the South Asian International Film Festival in 2012. The non-fiction political thriller, ‘An Insignificant Man’ (co-directed with Khushboo Ranka) was internationally acclaimed, set a new anti-censorship precedent, and went on to become the most theatrically successful documentary film in India. Vinay Shukla is a filmmaker, producer, and a leading figure in the Indian documentary landscape.
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